| Reference : Eléonora Miano et son concept de l´identité frontière au théâtre |
| Parts of books : Contribution to collective works | |||
| Arts & humanities : Literature | |||
| http://hdl.handle.net/10993/42770 | |||
| Eléonora Miano et son concept de l´identité frontière au théâtre | |
| French | |
Nonoa, Koku Gnatuloma  [University of Luxembourg > Faculty of Language and Literature, Humanities, Arts and Education (FLSHASE) > Identités, Politiques, Sociétés, Espaces (IPSE) >] | |
| May-2023 | |
| Unerhörte Stimmen aus der Afro-Romania Genderdiskurse im Kontext von Selbst- und Fremdwahrnehmung „nach“ der Migration | |
| Borst, Julia | |
| Neu-Wendel, Stephanie | |
| Tauchnitz, Juliane | |
| Zannini, Maria | |
| transcript | |
| No | |
| [en] The present analysis focuses on some strategies of aesthetic efficacy and their function in the textual and scenic writing of Léonora Miano’s Révélation. First, Révélation is placed in its socio-cultural context. In this process, the theory of ‘social drama’ and ‘aesthetic drama’ allows us to
identify the interdependent character of historical events and Révélation in a different light. We then rely on the concepts of documentary and post dramatic theater to analyze the socio-cultural potentiality of literature and theater as related to the re-examination and re-orientation of the regimes of perception In doing so, this contribution examines, in turn, some strategies of aesthetic variation related to the frontier identity of the ‘Afropean’ woman in the theater, beyond the ntagonisms between Africa and Europe in the post-migration context, and to the diverse and interdependent character of the human subjects in the current world. | |
| http://hdl.handle.net/10993/42770 |
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