| Reference : From 'Es war einmal' to 'Es war nicht': Batty Weber and the Poetry of Cemetaries in t... |
| Parts of books : Contribution to collective works | |||
| Arts & humanities : Literature | |||
| http://hdl.handle.net/10993/41973 | |||
| From 'Es war einmal' to 'Es war nicht': Batty Weber and the Poetry of Cemetaries in the 1910s | |
| English | |
Millim, Anne-Marie [University of Luxembourg > Faculty of Language and Literature, Humanities, Arts and Education (FLSHASE) > Identités, Politiques, Sociétés, Espaces (IPSE) >] | |
| 2019 | |
| Ewige Ruhe? Concession à perpétuité? Grabkulturen in Luxemburg und den Nachbarregionen | |
Kmec, Sonja ![]() | |
| Capybarabooks | |
| 189-192 | |
| No | |
| 978-99959-43-23-3 | |
| [en] World War I ; death ; Luxembourg | |
| [en] This article hows that, during the 1910s, Weber establishes the cemetery as an indicator of cultural and societal health, capable of staging a process of healing that culminates in a liberating oblivion and consoling poetic reality. It also becomes a powerful tool to accentuate the absence of the graves of those who perished outside of the parameters that safeguard human dignity and is fundamental to Weber’s embedded critical political commentary. | |
| http://hdl.handle.net/10993/41973 |
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