References of "Miessen, Markus 50034687"
     in
Bookmark and Share    
See detailShadow Architecture: Part I. Street Vending
Wasilkowska, Aleksandra; Miessen, Markus UL

Book published by The Other Space Foundation (2013)

Shadow Architecture. Part I. Street Vending is the first text in a series about art&architecture, informal economy, street trade and vendors, and their role in shaping modern cities all over the world ... [more ▼]

Shadow Architecture. Part I. Street Vending is the first text in a series about art&architecture, informal economy, street trade and vendors, and their role in shaping modern cities all over the world. Project developed by Aleksandra Wasilkowska in cooperation with The Other Space Foundation / Fundacja Inna Przestrzeń. Co-financed by the Ministry of Culture and National Heritage and the City of Warsaw. Coordination: Julia Missala, Proofreading - Polish version: Monika Buraczyńska, cooperation: Katarzyna Kolibabska Proofreading - English version: Anna Krawczyk, assistance: Monika Heppner Translation: Anna Artymiuk, Maciej Graca, Małgorzata Nowicka, Ewa Talewska, Łukasz Witczak, Lidex [less ▲]

Detailed reference viewed: 125 (0 UL)
See detailGermaine Koh: Weather Systems
Cook, Sarah; Miessen, Markus UL; Startsev, Yulia

Book published by ABC Art Books (2013)

'Weather Systems' features work by the Vancouver-based artist from the past two decades as well as new works made specifically for the exhibition. Koh's artistic practice focuses on the interrelatedness ... [more ▼]

'Weather Systems' features work by the Vancouver-based artist from the past two decades as well as new works made specifically for the exhibition. Koh's artistic practice focuses on the interrelatedness of conditions in the built and natural environment that otherwise seem unrelated. Her work can even intervene in the institution itself to reveal tensions between the public and private realms, as in the case of 'Player's, a fog machine situated outdoors that transmits Morse code versions of data entered on a computer within the Gallery. By bringing together apparently unrelated activity and transposing one site onto another, Koh shifts expectations of these systems so they can be experienced from a new perspective. This generously illustrated oversized textured hardcover publication is in itself a work of art. [less ▲]

Detailed reference viewed: 71 (0 UL)
See detailRevue Spring Albtraum Partizipation
Miessen, Markus UL

in Revue Spring Albtraum Partizipation (2013)

Detailed reference viewed: 66 (1 UL)
See detailSpace Matters
Feireiss, Lukas; Miessen, Markus UL

Book published by Ambra Verlag (2013)

As the subject of earnest discussion, the meaning of space reaches far beyond the horizon of a single discipline. Lukas Feiriss has assembled a collection of international contributions for Space Matters ... [more ▼]

As the subject of earnest discussion, the meaning of space reaches far beyond the horizon of a single discipline. Lukas Feiriss has assembled a collection of international contributions for Space Matters, a publication of the space & design strategies study program of the Univeristy of Art and Design, Linz, Austria to create an inspiring expansion of the contemporary discourse on space. The publication addresses cultural resarchers and readers in creative professions – architects, artists, curators, scientists and students in all the related fields as well as those members of a broader audience that are interested in the incorporation of space and the pratices with which it is designed in cultural, social and humanities-oriented contexts. [less ▲]

Detailed reference viewed: 93 (0 UL)
See detailEvident in Advance
Farkas, Denes; Budak, Adam; Miessen, Markus UL

Book published by Sternberg Press (2013)

“If I don’t trust this evidence why should I trust any evidence?," Wittgenstein asked himself in "On Certainty." Dénes Farkas’s work is haunted by a drama of not delivering a trust to a singular evidence ... [more ▼]

“If I don’t trust this evidence why should I trust any evidence?," Wittgenstein asked himself in "On Certainty." Dénes Farkas’s work is haunted by a drama of not delivering a trust to a singular evidence of this world: a world as he found it. Hysterically reproduced paper maquettes of choreographed architecture, imprisoned within a clumsy, photographic frame, are abstract shelters for imagined and unspoken texts. Words are characters in performance of a world as a text. As a proposition, Farkas’s exhibition and publication for the Estonian Pavilion of the 55th Venice Biennale in 2013 is "an absent book" and yet "the book to come." The installation is a piece of spatial, rhythmical writing; a quintet of interiors woven of autonomous though intertwined, poetic fragments of quasi-domestic setting: a library, a garden, an absent cinema, a spatial book, an obsession chamber (a locus of deranged architect and non-writer). "A story? No. No stories, never again," Farkas repeats after Maurice Blanchot, while rehearsing his art of ultimate denial and rejection. [less ▲]

Detailed reference viewed: 86 (0 UL)
See detailInstitutions by Artists
Khonsary, Jeff; Lee Podesva, Kristina; Miessen, Markus UL

Book published by Fillip Editions (2013)

Artist-run initiatives in North America provide a space for the presentation and legitimization of experimental work and for the assertion of socially progressive and politically radical ideas and ... [more ▼]

Artist-run initiatives in North America provide a space for the presentation and legitimization of experimental work and for the assertion of socially progressive and politically radical ideas and questions. In making such spaces available, artist-run initiatives have operated alternately as flash points for heated debates and controversies, as well as platforms for social understanding. Institutions by Artists: Volume One presents a collection of texts addressing the performance and promise of contemporary global artist-run centres and initiatives within the historical contexts that saw their emergence. The texts address centres in Amman (Jordan), Brisbane (Australia), Vancouver (Canada), Zurich (Switzerland), Tokyo (Japan), and Barcelona (Spain), among others. The book is published as part of Fillip’s ongoing Folio Series, which presents anthologies of new and previously published essays on international contemporary art. [less ▲]

Detailed reference viewed: 232 (0 UL)
See detailWhat’s Next?
Hedinger, Johannes; Meyer, Torsten; Miessen, Markus UL

Book published by Kulturverlag Kadmos (2013)

Die Welt ist im Wandel und mit ihr die Kunst. Was ist die nächste Kunst? Welche Themen werden künftig wichtig? Welche Formen, Methoden, Verfahrensweisen und Praktiken setzen sich durch? Wie bildet sich ... [more ▼]

Die Welt ist im Wandel und mit ihr die Kunst. Was ist die nächste Kunst? Welche Themen werden künftig wichtig? Welche Formen, Methoden, Verfahrensweisen und Praktiken setzen sich durch? Wie bildet sich Zukunft in den Künsten, im Design, den neuen Medien und der Creative Industries? Und welchen Einfluss haben dabei Krisen? Der Reader diskutiert in Theorie und Praxis und auf breiter Phänomen- und Literaturgrundlage Möglichkeiten der Kunst der nächsten Gesellschaft, den sich ankündigenden Paradigmenwechsel, die neusten Entwicklungen des System ›Kunst‹ sowie die gewandelten Bedingungen von Produktion, Distribution und Rezeption von Kunst heute in einem globalen Kontext. Versammelt sind 177 Essays und Interviews sowie über 150 Thesen, Manifeste und Zitate von insgesamt 304 Autoren zum Thema des möglichen Nächsten. Sie entstammen einer Zeitspanne von etwa 3000 Jahren, wobei die Mehrheit der Beiträge aus den letzten drei Jahren datiert ist. Darunter finden sich so unterschiedliche Denkanstöße von Dirk Baecker, Hans Belting, Luc Boltanski, Nicolas Bourriaud, Bazon Brock, Judith Butler, Ève Chiapello, Carolyn Christov-Barkargiev, Chris Dercon, Diedrich Diederichsen, Hal Foster, Andrea Fraser, David Graeber, Isabelle Graw, Boris Groys, Jörg Heiser, Thomas Hirschhorn, Naomi Klein, Maurizio Lazaratto, Ben Lewis, Chus Martinez, Jonathan Meese, Markus Miessen, Carmen Mörsch, Hans Ulrich Obrist, Jacques Rancière, Milo Rau, Gerald Raunig, Andreas Reckwitz, Irit Rogoff, Jerry Saltz, Tomáš Sedlácek, Tino Sehgal, Peter Sloterdijk, Hito Steyerl, The Yes Men, Wolfgang Ullrich, Jan Verwoert, Anton Vidokle, Peter Weibel, Beat Wyss, Slavoj Žižek oder Artur Zmijewski und vielen anderen. [less ▲]

Detailed reference viewed: 98 (0 UL)
See detailDesign Anthropology 2013 Peter Lang Edited by Yana Milev
Milev, Yana; Miessen, Markus UL

Book published by Peter Lang (2013)

«D.A.» represents a cultural science handbook of «Design Anthropology», providing an epistemology, phenomenology and survey of the varieties of the extended concept of design. Here the design concept is ... [more ▼]

«D.A.» represents a cultural science handbook of «Design Anthropology», providing an epistemology, phenomenology and survey of the varieties of the extended concept of design. Here the design concept is placed at the centre of the nexus of meaning of cultural production that rests on the three pillars Segno, Mythus and Techne. Anthropological design research is trans-disciplinary, developing in the connexion between Visual Culture (signal, in/visibility, image/void, imagination, representation), Doing Culture (act, cooperation, relation, fabrication, exchange), Material Culture (object, artefact, thing, facing, texture), Knowledge Culture (techniques, practices, norms, beliefs, values), Narrative Culture (mythology, significance, meaning, memory, identity), Critical Culture (watching, criterion, antagonism, crisis, theory) and Aesthetic Culture (emotion, sentiment, taste, feel, sense). It is only against this background that the complex anthropological dimension of Design Culture can be understood, extending far beyond the horizon of a design science concept of design, industry-near design thinking and marketing, or a product-oriented concept of manufacture. «Design Anthropology» is the research field of the «Coming Community», which has been founded here with a «D.A.» fraternity of more than 100 contributions, partners and friends. Through «D.A.» Yana Milev has formulated the theoretical and curatorial foundation for an extended concept of design that she has been representing and practicing since the 1990s in the context of the arts, rendering it now as «Anthropo Design». [less ▲]

Detailed reference viewed: 68 (2 UL)
See detailArbitare Addition
Miessen, Markus UL

in Arbitare Addition (2013)

Detailed reference viewed: 67 (1 UL)
See detail参与的恶梦
Miessen, Markus UL; Zijian, Weng

Book published by 翁子健 金城出版社 (2013)

Chinese Translation of The Nightmare of Participation Welcome to Harmonistan! Berlin-based architect/writer Markus Miessen tackles the pervasive contemporary overuse of the concept of ''participation'' in ... [more ▼]

Chinese Translation of The Nightmare of Participation Welcome to Harmonistan! Berlin-based architect/writer Markus Miessen tackles the pervasive contemporary overuse of the concept of ''participation'' in the final part of his paradigm-changing trilogy. Supported by a nostalgic veneer of worthiness, phony solidarity and political correctness, participation has become the default of politicians withdrawing from responsibility. Miessen argues for an urgent inversion of participation, reflecting cogently on the limits and traps of its real motivations. He dreads breeding the next generation of facilitators and mediators, insisting on conflict as an enabling, instead of disabling, force. With refreshing candor, this internationally known architect and professor outlines a format for acting as uninvited irritant, forcing entry into fields of knowledge that arguably benefit from exterior thinking. Sometimes, Miessen writes, democracy has to be avoided at all costs! [less ▲]

Detailed reference viewed: 93 (0 UL)
See detailKatilim Kabusu
Miessen, Markus UL; Doğan, Bülent

Book published by Metis Kitap (2013)

Turkish translation of The Nightmare of Participation Welcome to Harmonistan! Berlin-based architect/writer Markus Miessen tackles the pervasive contemporary overuse of the concept of ''participation'' in ... [more ▼]

Turkish translation of The Nightmare of Participation Welcome to Harmonistan! Berlin-based architect/writer Markus Miessen tackles the pervasive contemporary overuse of the concept of ''participation'' in the final part of his paradigm-changing trilogy. Supported by a nostalgic veneer of worthiness, phony solidarity and political correctness, participation has become the default of politicians withdrawing from responsibility. Miessen argues for an urgent inversion of participation, reflecting cogently on the limits and traps of its real motivations. He dreads breeding the next generation of facilitators and mediators, insisting on conflict as an enabling, instead of disabling, force. With refreshing candor, this internationally known architect and professor outlines a format for acting as uninvited irritant, forcing entry into fields of knowledge that arguably benefit from exterior thinking. Sometimes, Miessen writes, democracy has to be avoided at all costs! [less ▲]

Detailed reference viewed: 70 (0 UL)
See detailZeit Online Albtraum Partizipation
Grassegger, Hannes; Miessen, Markus UL

in Zeit Online Albtraum Partizipation (2012)

Detailed reference viewed: 80 (1 UL)
See detailAutoportret no. 37 Nowe Spojrzenie na demokracje
Mouffe, Chantal; Miessen, Markus UL

in Autoportret (2012)

Detailed reference viewed: 57 (1 UL)
See detailSpike – art quarterly no. 32 Der Crossbench-Praktiker
Miessen, Markus UL

in Spike (2012), 32

Detailed reference viewed: 66 (3 UL)
See detailFluor no. 1 Indignattion and post-politics
Miessen, Markus UL

in Fluor (2012), 1

Detailed reference viewed: 48 (1 UL)
See detailManifest March Build Dialogue
Miessen, Markus UL

in Manifest March (2012)

Detailed reference viewed: 50 (1 UL)
See detailThresholds Spring no. 40 Participation and/or Criticality
Miessen, Markus UL

in Thresholds Spring (2012), 40

Detailed reference viewed: 58 (1 UL)
See detailmountainislandglacier
Fernandez-Pello, Carlos; Fresneda, Javier; Hurtado, Eduardo et al

Book published by Broken Dimanche (2012)

After a game-changing year when Europe, in all its tangible and intangible consequences reached far and wide, BDP are proud to announce one of our most ambitious compilations of art, writing and ... [more ▼]

After a game-changing year when Europe, in all its tangible and intangible consequences reached far and wide, BDP are proud to announce one of our most ambitious compilations of art, writing and investigation on our contemporary’s troubled, shape-shifting realities. In a unique dual book publication (English/Spanish editions) edited by the group ‘Correspondence from Eyjafjallajökull’ the book contains the artistic results and research of the group, along with eleven probing and insightful carefully selected ‘collaborations’. These diverse entries take many forms, including fiction, essay, polemnic, After working together as a research group centering around the event that was Eyjafjallajökull in May 2010, ‘Correspondence from Eyjafjallajökull’ went about re-examining the idea of Europe. With no air traffic possible, Europe found itself connected in a very physical way, a unity that is the opposite in many ways of how ‘Europe’ has been so recently conceived. Through various forms of artistic research and development new, kaleidoscopic perspectives of Europe came about, moving from peripheries such as Turkey and Iceland itself, moving inward to the imaginative world of European identity creation. [less ▲]

Detailed reference viewed: 58 (0 UL)
See detailThinking Europe: The Scenario Book
Steiner, Barbara; Miessen, Markus UL

Book published by Jovis Verlag (2012)

30 scenarios form the basis of this book, presenting 30 opportunities to consider Europe from the point of view of art. Ten curators from Brussels, Istanbul, London, Łódź, Minsk, Novi Sad, Oslo, San ... [more ▼]

30 scenarios form the basis of this book, presenting 30 opportunities to consider Europe from the point of view of art. Ten curators from Brussels, Istanbul, London, Łódź, Minsk, Novi Sad, Oslo, San Sebastián, and Taipei were invited to develop three scenarios each, representing ways one might approach the variegated entity of Europe, its heterogeneity and diversity of voices. Art hereby raises its voice in the debate about the lack of an identity in Europe, its financial crisis and its prospects for the future. The curators and the artists they invited deal with the theme of Europe from various perspectives. [less ▲]

Detailed reference viewed: 59 (0 UL)